Over the past two years I have made a conscious effort to show my work publicly. While I have focused on national shows, I’ve also entered local shows. Ironically, I’ve had greater success with the latter. Right now the three pieces shown below are in a local juried art show.
By my calculations my work has had roughly 50 percent success in being selected. I’ve entered quilt, fiber, and all art media shows. For some shows I realized after the fact my work was totally outclassed. I’m looking at you, Excellence in Fibers. For others, once I saw the work selected I decided my work simply didn’t fit what the juror was looking for.
To enter juried (and most other) shows, you need to fill out an application and pay an entry fee. Since selection is based on digital photos, you need to submit photos that do justice to your work. Shows that produce catalogs use the images you submit, so they have to be high quality ones.
As you probably have figured out, the costs begin to add up. Professional photography fees can run $30 to $50 per piece. Entry fees can range from $15 to $50, though often you can submit up to three entries for the higher fee. If your work is selected, you need to pay shipping costs to and from the venue, unless it’s close enough to drive to. Many shows specify you can’t use USPS, a cheaper alternative to UPS and FedEx. Total shipping to and from the last show my work was in came to $55. Recently I saw a call for entry with a $20 handling fee for unpacking and repacking your work.
The cost is worth it if your piece sells or if the show helps increase name recognition for your teaching or work. Since I don’t teach and have made no organized effort to sell my work, the calculus is different for me.
In 2020 I plan to enter fewer shows. That’s partly because some of my work is aging out. Many shows specify work has to have been made in the past three years. Right now that’s 2018, 2019, or 2020. Another reason is that much of what I’m creating right now doesn’t have show potential. I’m trying different materials and creating small pieces. Shows like big work, and often have a minimum size requirement.
I’ll see if my mind gets changed by the SAQA seminar I’ve signed up for called “Your Professional Toolkit.” It will cover exhibiting your art as one of six topics. Stay tuned.
I’m linking to Off The Wall Fridays.