While I’m resting up my arms and shoulders from a quilt wrestling project (why did I choose a circular quilting design?) I’ve been playing with paper. Some efforts I’ve framed, and some I’ve created as part of Willa Wanders‘ free Fodder Challenge lessons.
After living with so-so framed art for many years I decided new art in the frames would be nice. One is a collage, two are gel plate monoprints, and one is a weaving of collaged strips sewn onto paper. I had forgotten what a pain it is to frame stuff.
In between faulty measurements, I watched several Fodder Challenge lessons. Many were too cute for me. I cannot collage inspirational sayings with a straight face. However, I tackled three projects in my own way.
First I used Drew Steinbrecher‘s collage methods for gel plate printed papers, where you create one large collage and then cut it into several smaller collages, which you work on individually. The last work was done in a board book, and uses illegible words stenciled with modeling paste on tissue paper.
Next I tackled paper strip weaving with Rebecca Sower, an easy way to use collaged papers. Besides the framed weaving shown above, I wove another with strips leftover from that one, and yet one more that used a quilt calendar photo as the base. Some challenge participants wove cool diagonal versions.
My last challenge project involved Jane Chipp‘s button collage with printed tissue paper. The instructor used vintage photos printed on tissue with a home printer, and her results were charming. However, I found that my glue would smear the ink from my printer, so I used a sheet of deli paper I had brayered off on and then drawn and stenciled on. You need large, flat-back buttons, printed tissue, gesso, and matte medium (plus patience) to do this.
Finally, since I had all my collage supplies out, I made two more mixed media pieces from previous starts. My goal was to see how far I could go before the piece was overworked. I toned down some of the black on the left hand piece, which helped pull it back a bit from the overworked edge. The right hand piece began with gold blobs and ink lines on watercolor paper, got some paper glued on and cording sewed on, and ended with Posca pens and acrylic ink.
Now that I have gotten almost all the matte medium off my fingers, I hope to return to quilting in the round. Maybe next week I’ll have a finished quilt to show you.
I’m linking to Off The Wall Fridays.
Back In Business
The Artist as Quiltmaker show, held every two years at Firelands Association for the Visual Arts (FAVA) in Oberlin, Ohio, was one of many casualties of the pandemic. It was supposed to take place in 2020, but was postponed until this year. I drove over to see it with a friend just before the show closed and was glad I didn’t miss seeing it in person. You can view the entries online, but as with any visual show, you can’t get a sense of scale unless you stand in front of the pieces. And size does make a difference as some of the pieces are large.
Many of this year’s entries don’t fit the “three layers held together with stitching” requirement typical of quilt shows. And some don’t have 90 degree corners. In fact, a few approach sculpture. I was glad to see a broadening of the concept of a quilt, but hope such pieces don’t languish in the quilt ghetto of the art world. They might have better luck being called something else.
Some of the pieces that intrigued me follow.
While not groundbreaking in form (it even has a binding) “Blue Ice” captures the majestic quiet of ice bound parts of our world. The artist has kept the quilting simple, but uses a few changes in thread color from black to blue effectively.
Modern quilting influence is evident in the piecing and lighthearted fabric choices, but the curved edges and trio of hanging drops are more arty. And, look ma, no four inch hanging sleeve.
Materials used include “reclaimed vintage quilt and army blankets, army suture cotton dated 1953, cotton, linen, wool, silk, satin, felt, buttons.” The curved red lines are hand chain stitched embroidery. I found it an intriguing meld of old with new to reimagine the original materials.
The online photo so doesn’t do this work justice. It’s by a quilter renowned for working with large scale templates and pieced curves. Recently she has switched to digitally edited photos printed on cloth. From what I could see, only the outer mitered border is pieced. I’ll quote the artist here: “In 2019 my husband photographed a 135’ dive by one of the cliff divers of Acapulco at four frames per second. He combined the twelve shots of the three-second dive into one time-lapse composite. Using my digital drawing program, I added traditional Storm at Sea blocks to the corners of the digital image and designed borders that extend the colors and patterns of the photo that fade to black. The center panel, borders, and binding fabric were digitally printed and pieced. I quilted the center very heavily with matching threads to enhance the textures of the rocks.” The quilting is exquisite.
Only one layer of cotton canvas dyed with plants and a few organza appliqued pieces are used. The subtleties of the images left by the plants are best seen in person. There is hand quilting on the appliqued parts, but a traditional quilt judge would throw this piece out of the judging.
Pieced and quilted, but the shape and uneven edges elevate it from a typical abstractly pieced quilt. It’s almost like dress pattern pieces were used to create it.
The artist applied a digital editing filter to a photo, had it printed on a cotton/linen blend, and then hand embroidered it. I don’t know if it has more than one layer. I was intrigued with the combination of digital manipulation and hand embroidery.
Here the blue/purple ribbons come free of the quilt’s surface and curl around themselves. The red glyphs give a pop of color. While the quilting isn’t up to the standards of other entries, I enjoy the 3D effect. I guess I have some quilt police DNA after all.
I hope I’ve given you a taste of the show’s diversity. Please take a few minutes to browse all the entries. The detail photos are great for closeups.
I’ll be linking to Off The Wall Fridays.
Filed under Art quilts, Commentary, Exhibits
Tagged as art quilt show, art quilts, Artist as Quiltmaker, FAVA, Oberlin Ohio