At the start of each year I always wonder what I”ll make. Sometimes I have specific projects in mind; other times I am at the mercy of my whims. So far in 2021 I have worked on my January lines challenge and have completed two quilts conceived in 2020. For me it’s helpful to have carryover work so I don’t face the dreaded blank design wall.
Right now my design wall features a long stalled project that I have finally had a breakthrough on, thanks to Jane Dunnewold’s lecture series. I’m not ready to talk about or show it yet, so today I will focus on my two made mostly with scraps pieces, “High Summer” and “A Thin Blue Line.” Both are abstract color studies that I hope evoke a mood.
“High Summer” 25″ by 36.5″
About three-fourths of “High Summer” is made of fabric I’ve painted, constructed, or dyed. The rest is commercial fabric, including a chunk of Marcia Derse fabric in the lower left corner. I wanted to capture the deeper greens and sun soaked reflections of mid summer.
“A Thin Blue Line” 27″ by 33″
While Summer came together quickly, Line was subject to lots of changes after I thought it was done. Two days after declaring it finished I’d look at it and decide something wasn’t right. I’m still not satisfied with it, but I’ve done what I can after quilting and facing it. Yes, I was painting over areas as it hung on my wall, and I lopped off a few inches as I sewed on the facing. I wanted to create a spare piece with breathing room (why I thought that was possible with all the orange and pink is a mystery) and an illusion of depth, but I’ve managed to fussy it up. I hope the double blue line I quilted shows.
As an antidote to all that riotous color I put together a 12 inch square piece from the kind of neutrals Japanese quilters often use. I used a prompt from the SAQA seminar on color, which asks you to make same size pieces in colors you never use and in your usual colors. I didn’t bother with the latter as I think the pieces above cover my usual colors.
“Quiet Color” 12″ square
It killed me to make this. Humans have spent centuries searching out and perfecting rich, deep colors, so why shouldn’t I take advantage of all their work. A friend told me it was zen-like, certainly a quality I don’t possess.
2021 Begins
At the start of each year I always wonder what I”ll make. Sometimes I have specific projects in mind; other times I am at the mercy of my whims. So far in 2021 I have worked on my January lines challenge and have completed two quilts conceived in 2020. For me it’s helpful to have carryover work so I don’t face the dreaded blank design wall.
Right now my design wall features a long stalled project that I have finally had a breakthrough on, thanks to Jane Dunnewold’s lecture series. I’m not ready to talk about or show it yet, so today I will focus on my two made mostly with scraps pieces, “High Summer” and “A Thin Blue Line.” Both are abstract color studies that I hope evoke a mood.
About three-fourths of “High Summer” is made of fabric I’ve painted, constructed, or dyed. The rest is commercial fabric, including a chunk of Marcia Derse fabric in the lower left corner. I wanted to capture the deeper greens and sun soaked reflections of mid summer.
While Summer came together quickly, Line was subject to lots of changes after I thought it was done. Two days after declaring it finished I’d look at it and decide something wasn’t right. I’m still not satisfied with it, but I’ve done what I can after quilting and facing it. Yes, I was painting over areas as it hung on my wall, and I lopped off a few inches as I sewed on the facing. I wanted to create a spare piece with breathing room (why I thought that was possible with all the orange and pink is a mystery) and an illusion of depth, but I’ve managed to fussy it up. I hope the double blue line I quilted shows.
As an antidote to all that riotous color I put together a 12 inch square piece from the kind of neutrals Japanese quilters often use. I used a prompt from the SAQA seminar on color, which asks you to make same size pieces in colors you never use and in your usual colors. I didn’t bother with the latter as I think the pieces above cover my usual colors.
It killed me to make this. Humans have spent centuries searching out and perfecting rich, deep colors, so why shouldn’t I take advantage of all their work. A friend told me it was zen-like, certainly a quality I don’t possess.
As per usual, I’m linking to Off the Wall Friday.
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Filed under Art quilts, Commentary
Tagged as A Thin Blue Line, High Summer, scrap quilts