“Less is more” and “More is more” are common design mantras. Each has its adherents. A recent design experience took me way beyond “more is more” to deep in the weeds. I’m writing about my recent failure as a lesson that sometimes going for broke can break the piece.
After my Tansy Hargan From Sketchbook to Wall class I was eager to use the techniques taught, so I prepared a smallish (roughly 20 inches square) fused piece which I planned to gussy up with reverse applique, hand stitching, and pen and paint. It started out okay, if a bit pink.
Then I added hand and machine applique, and a bit of embroidery.
I thought more stuff would improve the piece, and utterly overshot the mark.
Finally, I cut off some of the hand work and lightened some of the applique with a white marker. The machine stitched bits are impossible to remove as there is a backing fused on.
My intention was to evoke the playing pieces used in children’s board games. I wish I hadn’t gone down the embellishment road as the original piece was much more pleasing than the monster I created. I could always cut it up….
The excuse of a fresh new year spurred me to leapfrog over waiting projects to begin something new and fun. Of course it was conceived in 2018, but it was officially born this week.
I’m talking about my “Disco Woks,” a small (20 by 27 inches) piece made up of almost all non-natural fibers. There’s a bit of Marcia Derse fabric and silk kimono, but the rest is synthetic glitz.
It originated in a play session with slithery, shiny fabrics culled from the theater costume scrap bin and contributions from scrap hoarders (you know who you are.)
I made the woven piece during the play session and then added bits from my hoard to supplement scraps I had scrounged at the session. The woven piece became one bowl, while the Easy Pattern material was paint sprayed over a place mat stencil and cut in half to make two more bowls. I used the coppery tulle to cover one of the bowls, but some of the other materials didn’t fit. The background ombre fabric came from the costume shop.
Construction details – I used leftover curtain lining material to back the whole thing as fabric weights differed, and fused the background fabric on with WonderUnder. I made the bowls by sewing lightweight non-woven fusible interfacing onto the “good” bowl, then turning the whole thing inside out and fusing the interfacing to the bowl with my iron. I zigzagged the completely finished edges to the background. Other bits also were sewn onto the background, though the bowl rims were added after quilting.
As to the name, I had pondered using the Chinese pottery celadon green and cinnebar colors as inspiration, but I ended up succumbing to the glitter. I did pay homage to the orient with the woks.