I have always been a fan of the clunky looking walking foot attachment for my sewing machines. I began to use it for sewing long seams to prevent the top fabric from being pushed ahead of the bottom one. Then, I found it helpful for lines of machine quilting. Jacquie Gering has elevated this humble accessory to front row status for fairly complex machine quilting in her Craftsy classes and now her book, “Walk: Master Machine Quilting With Your Walking Foot.”
Many of the quilting designs Gering lays out are simple to accomplish. Her chapters on lines, gentle curves, and decorative stitches show what you can do with no or minimal marking. You do need to pay attention to the distances between your lines and the distances on your walking foot. She helps you figure out the latter in her Walking Foot 101 chapter.
Then, if you want to get fancy, Gering walks you through (ha, ha) marked curves, using the reverse button, and turning designs. Some of these designs require stitch counting and careful marking. She tackles designs like orange peel, clamshell, braided curves, and nested diamonds. For such designs I think you’ll need to keep your wits about you, so you can’t do what I often do – zone out and sew. This link to a post written by Kathie Kerler, one of Gering’s workshop students, shows some class samples.
Gering covers much of the same material in her Craftsy class, Next Steps With Your Walking Foot. I’ve taken that class and find the book a useful companion to it. The book includes more designs, especially straight line point to point ones. It has lots of photos of stitched samples (easy to see white stitches on black cloth) and stitching diagrams. However, the class shows how Gering deals with marking, sewing the designs, and handling quilt bulk. It includes some curved designs not found in the book.
Gering’s complex quilting design below involves lots of marking and patience. As Gering says frequently, it’s a walking foot, not a running one. I don’t know if I’d tackle a big quilt like this one; maybe a pillow.
Helpful takeaways from the book:
-After you layer but before you pin your quilt sandwich press it on both sides to make sure there are no wrinkles. Pressing also encourages the layers to stick to each other. Gering presses her cotton batting before use to get rid of wrinkles. I spray my batting with water and run it through my dryer on low heat to relax it.
-Play with the setting on your pressure foot to eliminate puckering where quilting lines intersect. Lighter pressure may eliminate those tucks.
-As you stitch, look at where you’re heading, not at your needle.
-Use textured painters or masking tape whenever possible to mark your stitching lines.
-Even utility stitches on your sewing machine can make interesting quilting lines. Gering uses the blind hem stitch on some of her quilts. Try out those stitches on your machine at different widths and lengths, and keep notes of the results.
Whether this book will resonate with you will depend in part on the style of quilts you make. Gering’s quilting designs have a modern sensibility and work well for the large spaces and angles of such designs. I don’t know how well these designs would work on a traditional quilt pattern. I’ve used Gering’s approach on several quilts such as “Winter.”
Other quilters have also addressed walking foot quilting designs. Leah Day has videos on walking foot quilting. Melissa Marginet has a book on walking foot quilting that promises dozens of designs. Of course you can find several free videos online as well. If you’ve tried these or other walking foot quilting resources I’d love to get your feedback. I go to great lengths to avoid free motion quilting.
Fun While It Lasted
Here’s yet another “classic” post from 2016. You guessed it, I’m still on vacation. This post is especially pertinent as I have just dropped my Modern Quilt Guild membership. I don’t know why it took me so long. Maybe I kept hoping the direction would swing away from all the patterns.
With QuiltCon West underway in California it seems a good time to declare that I am over modern quilting, as defined by current modern quilt practitioners. Back in 2012 I had high hopes for a bolder, less pretty, more personally defined approach to quilting. I read and was inspired by many of the blogs that sprouted daily, and joined a local modern quilt guild. I made several quilts in the spirit of modern quilting.
Now, four years later, I say goodbye to all that. My local modern guild limped along on life support for two years, and finally vanished without even a whimper. Many of the blogs I enjoyed have ceased publication or have devolved into advertisements for fabric collections, patterns, and other items for sale. I gather it’s called branding, which I always associate with cattle ranching. Certainly there are outstanding exceptions, but many modern quilting books either lack substance or recycle “traditional” quilt book topics like half square triangles with new fabrics. Modern quilters jump from one “must have” fabric line/pattern to another. The owls, the deer, sheesh! What happened to the originality? I see a lot of “me too.”
It may be that I’m holding modern quilters to higher standards than I do traditional quilters. Yeah, probably. I just had such hopes for self-determination – design your own quilts, make them with less expensive solid fabrics/vintage sheets/whatever, learn to sew and FMQ in a month. Then, the marketing juggernaut struck. And who wouldn’t be tempted by the chance to make money from your hobby? BTW, I’d be interested to learn of quilters who support themselves on modern quilting.
I do treasure what I’ve gained from the moderns. The bold, off kilter designs were a shot in the arm. The exuberance of new quilters who had no idea something might be hard was a spur. The sheer thrill newbie quilters got from their first efforts reminded me how fun quilting can be. You can see from the winning quilts at QuiltCon West that plenty of great quilts are being made; not all has been drowned out by marketing. I still think, though, the definition of modern quilting remains as slippery as ever.
Here’s some of my modern quilts that were most directly inspired by the modern quilting movement. One, Breezeblocks, is even very close to the original in Quilting Modern. I still treasure that book.
Curves Ahead (based on Pinterest pin)
Spring @ 60 MPH (layout by Timna Tarr)
Where Did All The Hexies Go? (from my head)
107 Pyramids (based on a drawing by Weeks Ringle and Bill Kerr)
Boxed Triangles (from scraps)
Color Slide (my own invention)
Impact (concept from Terry Aske)
Tipsy Lampshades (concept from Quilting Modern)
WPM (layout based on Esch House Quilts design)
Breezeblocks (based on Quilting Modern)
Filed under Commentary, Modern Quilting, Snark
Tagged as Akron Modern Quilt Guild, Modern Quilt Guild, modern quilts