I have long maintained that flowers have little to no place in my work. I love flowers in a garden or a vase, but haven’t been drawn to them as subjects for my work. So, I was surprised that I based a piece now under construction on flowers, rhododendrons specifically. Each May I see the bold magenta floral clusters of those plants in the yards of the older houses in my neighborhood. I don’t know if they’ve gone out of fashion, but I don’t see them in newer developments. Of course, that color would give one pause and they like shade.
But I didn’t start my floral project with the shrub in mind. Instead, I began with a surfeit of high flow quinacridone magenta acrylic paint that I decided to splash on scraps of tablecloths, muslin, PFD cotton, and fabric already printed with bell pepper. Then after I noticed all the rhodies in my neighborhood I came up with a scheme to make a piece with a floral theme out of all that painted fabric cut into squares.
To the magenta fabric I added squares (including an old sheet) painted with green, yellow-green, and yellow; plus fabric monoprinted with Inktense colors. Once I had the squares arranged to my liking I added thin bias strips of fused fabric. I know that my inspiration shrub doesn’t have skinny leaves, but let’s pretend bindweed has clambered up on it.
The new color palette I became enamoured of is that used by Zoe Zenghelis, a painter who pioneered an appreciation of the role of color in architectural design. The Carnegie Museum of Art in Pittsburgh has mounted an exhibit of her paintings, which introduced me to her work. You can read a review of the exhibit below.
Now, I don’t grasp all the architectural aspects of her work, but I do love the shapes and clear, melting colors she uses. I was transported to an alternative universe through her paintings.
I hope to experiment with my paints to achieve similar effects. Maybe I can learn some subtlety.