As of the beginning of the week, my design wall was a bit crowded.
I have two quilting projects ongoing, plus work from my Textural Style class, as well as photos to inspire new projects. Starting from the top right, there’s my two single color studies from class.
The blue one is done except for an edge treatment. The red one has become a two color study and has lots of big stitch embroidery. I have a section I want to embroider, but it’s mostly done. I have to figure out an edge treatment, but it won’t be bound. I may do a buttonhole stitch and then paint over that to seal the wonky edges.
On the bottom right is my fantasy village that now has lots of machine quilting, though it doesn’t show up well in the photo. I found that black thread works best. White is anemic and even red thread doesn’t show up well. That will have a pillowcase finish as batting is already fused to the silk pieces.
In the lower left are two pieces from the final day of my class. They began as one, but I couldn’t get the left and right sides to work together, so out came the rotary cutter. They are built on a dye mop up cloth and include rotted linen, silk organza scraps, handkerchief scraps, painted cheesecloth, and leftover fabric feathers. The scraps are roughly machine sewn down and I have begun hand embroidery. I’m thinking of mounting them on larger quilted pieces to give them more presence as they are less than 12 inches square.
Finally, there’s my problem child, the piece in the upper left. It’s not the piece itself, though I spent lots of time creating the sky. Rather, I am unable to get a response from the photographer on whose photo I based the piece. A friend sent me the photo which he found on Tumblr. I wanted to do the right thing and get the photographer’s permission. After I identified the photographer through an image reverse search, I found his website and wrote to the email address given there for permission to base my work on his. No reply. Then, I found his Instagram account and DMed him. Still nothing. So, I decided to go ahead and finish the piece, but I don’t think I can exhibit or sell it. Of course I will credit his photograph. At any rate, I will quilt it before I add the last bits of black bias tape.
Off my wall I have my 100 day project little collages, which total 38 as of today. They’ve proved to be great little arty snacks I can knock off each day. Limitations (4 by 4 inches, only paper scraps) really help clarify the mind and speed up a project. Another off my wall project is a sketchy inventory I did of my studio’s contents for insurance purposes. I am appalled to realize how much money I have spent on thread alone.
If I want to start more projects I better get the wall cleared off. I’m keeping a list of possibilities.
You are so prolific, and I am impressed and inspired by all the different materials and techniques you use!
I hope that photographer eventually answers!
I guess I’m like a magpie in that whatever’s bright and shiny catches my eye. And my quilt output has slowed
Yes, I am doing a lot on paper too. It doesn’t have to be wrestled through a sewing machine! 🙂
(continued) considerably since I discovered paper.
Oh, so much eye candy! The I really like your village and it is fun to get to see the back. You’ve packet a lot and good composition in 4″ squares. All very inspiring, thanks for sharing.
I only showed the back to prove that I have been working on it. It’s hard to see from the front.